Teabags

The evening fell apart, however, with the great tea fiasco. Giles, attempting to make the last pot of tea before bidding his guests farewell, accidentally dropped a tag of one of the teabags into the pot. Simple enough to get it out, he thought. With swift thinking he grabbed the closest spoon and went for the errant tag. No sooner had the spoon struck the surface of the water than he realized that said spoon was his peanut butter spoon, which he thoroughly licked whenever he was in the process of enjoying his favorite snack. Realizing that the tea was now doubly unfit for human consumption due to the contamination of the tag and the spoon, his thoughts turned to disposal of the tea. He grabbed the tags that remained external, and began to lift the bags out of the pot, bringing his left hand into position to catch the drippings from the bags. At this point he realized the water that was now dripping onto his hands was too hot to allow him to accomplish removal of the teabags to a disposal container, and he swiftly removed his hand from underneath the teabags. Not that that action helped either, for now the tea dripped from the elevated bags onto the front part of the pristine white porcelain pot. Now thinking more clearly, he began to retreat his attacks, and returned the teabags to the pot. Slowly he processed the situation, and realized now his best course of action was to pour the tea itself out before removing the bags. The which he did, but in the small tea-parlor sink, thus managing to spill some on his black suede shoes. Paralyzed by the mental stasis of sleep deprivation, he finished pouring, noting that for some reason the teabags did significantly slow the last part of the process. Finally, he had emptied the pot of contaminated beverage, and was ready to remove the bags. The first two came out easily and were quickly relocated to a rubbish bin. The last one, however, was more stubborn. Thanks to its errant tag, it was now slumped in the lower front part of the teapot, where the tea enters the spout. He had to extract it with his hand, a task not helped by the relative size of his hand to the top opening of the pot. As he transfered the bag from the pot to the rubbish, with the bag grasped between two fingers, his foot caught the edge of the carpet and he stumbled ever so slightly. This misstep, however, and its resulting jolt, was sufficient to cause him to close his hand ever so slightly, but sufficiently to cause the teabag, which was facing Giles, to split and explode. Wet tealeaves and droplets of tea went everywhere; most notable, however, were the marks that now covered his white shirt and pants, as well as his well-kept face and hair. Knowing that his guests would notice even if he changed into a fresh set of the same clothing, he called his wife's cellphone, and in a sickly voice gave her their pre-arranged "emergency" story. Mrs Giles then relayed to her guests the news that her husband the host had suddenly been overcome by food poisoning. Having heard the sickly tones of his voice in the quiet living room, and that he had eaten lunch with a very important client from China who insisted on dining at a Chinese restaurant, the guests left without concern for the tea they had so grievously been deprived of, their minds now fully occupied with the thought of how many 'dear' friends would be interested in the story of Mr Giles' involvement in the Chinese restaurant business. And Giles, knowing they would tell everyone they knew, was content in the knowledge that no-one would hear of an inconsiderate omission of the last round of tea, or a strange brown speckling on his clothes as he bade them farewell.

I found this randomly sitting in a google doc of mine, and decided it should be published. It is inspired by a true story, and, as with most of my creative works, by an interesting idea for an opening line, from which the rest of the story naturally flows. I'll leave it to the reader's imagination as to how much is inspiration and how much is true...

Lyrical Lemonade

This poem is a form of what I like to call metapoetry--that is, poetry about poetry. I owe the metaphor to my friend, Elizabeth Christy, who described making murky lemonade with Demerara (an unrefined form of sugar). Somehow I saw a poem in her tea/lemonade paradox...

A poem is like lemonade
Made with unrefined sugar
That turns it brown
(Something like tea)
And leaves the prospective drinker
Uncertain
As to whether the liquid
In the pitcher standing
On the table
Is potable,
Or some near-Eastern kind of practical joke.

However, when the prospective drinker
Takes the cup
Of brownish cloudy liquid poured
From said table-topping pitcher; poured
Into glass-made modern type of gourd
And drinks deeply its disputable juice
He feels instant quenching of his thirst;
Light shines bright inside his mind
Now he knows
The pitcher possesses lemonade
The greatest liquid ever made
It quenches thirst without delay
And gives superlative enlightenment.

Alien Winter

The winter here is cold and bitter. I haven't seen the sun for months. It gets to me occasionally. I often stare out of the window, waiting for it to appear, not knowing how long it will be, or how long I will stare. It is sort of like an awkward moment. That second when two acquaintances have a silence neither can fill. It is different every time, but there is always that silence. The stunned reflection when one says something shocking; the hearer is rightly stunned, searching for response; the speaker, too is stunned. “Did I really just say that?” he might ask himself. “Indeed,” his inner voice replies. “Why did I say that?” The inner voice has no response. It seems restraint came after the horse of words had bolted. Now the consequences of foot-in-mouth occur. Anything said for recovery sake will merely serve to dig a deeper hole. It comes to a point of “You say it best when you say nothing at all.” The only response is, “Well, I have to go to math, so I will see you later.” Not all awkward moments require shocking words. It often happens as a result of not knowing another person well enough to feel comfortable making random conversation, or this lack of knowledge combining with a desire not to spend long enough to complete a legitimate branch of discussion. Ultimately, there is that unwieldy silence that paradoxically paralyses the brain, when, if anything, the brain should be undistracted and motivated to move quicker through the thought processes to end the awkwardness. Rather, the brain senses the awkwardness, and enters a sub-conscious panic. It freezes like Windows. And there is this snowballing silence that continues to contribute to itself through the mind-panic in both conversers' heads. Snow is out there somewhere. But without sun, there is no way to tell. Some refer to a winter wonderland. Well, it may be Mardis Gras out there and I wouldn't know. There could be the most amazingly ghastly alien being, staring in my window at this moment, pondering awkward moments between members of his race, and I would be completely oblivious. I may be staring straight at his eyes, hypnotizing him into an awkward-turtle panic, and I would not know what kind of terrible pain I was inflicting on another creature. I wonder what kind of eyes those would be. Maybe he has a turtle-like head with big googly eyes. Eyes that transform into weird shapes, and change color based on the alien's emotions. If eyes are the window to the soul, and the alien has a soul, his would be a panoramic view of his being. His aspirations and fears would be played out on a big screen, while humans gaze in TV stupor, devouring boxes of fluffy popcorn without so much as a blink. Do they have the same curiosity towards us as we do them? Do they wonder if humans have brains? We may never know. But it definitely isn't an alien, because a nano-sliver of light has broken the horizon, and all that lies beyond the window is the vast white desert of winter.  

The opening lines reference a Sarah McLachlan song Full Of Grace.

Girl. Interrupted

Girl.
Interrupted.
Tantrum.
Interrupted.
Pouting.
Prolonged.
Happiness soon to follow.
Interrupted by bedtime.

Google Search Story

I discovered yesterday the Youtube Search Story Creator tool. So I thought I would try it. Let me know what you think of this:




It is a bit of a change from the other posts on this blog, and I hope a little more interesting. It also shows my sarcastic, cynical side--as I call it, my role as the cosmic killjoy, inherited from my safety-conscious uncle.

Her

She gazes across the golden sea

From her solid stance on the silhouetted cliff

Towering above the orange, foaming waters.

She stands, unmoving, silent and still,

Her flowing, dark hair unshaken,

Her sheathèd sword unwavering.

I watch her, amazement rising from deep within my heart

For her stamina, other-worldly strength and beautiful presence

Which dominate my thought.

I cannot bring my eyes to leave her,

Standing resolute, yet somehow vulnerable, against the amber dusk.

As the last arc of the solar globe dips below the farthest waves, she turns

And walks down the fading path leading back to civilization.

It is on this path I stand and wait for her.

Only her tear-streaked face betrays her reason:

She whom she loved is gone; lost on the whiskey-coloured sea.

Every sunset brings her back, at least the sliver of memory that remains,

And every sunset obligates her to honour the memory.

Someday she will no longer need to mourn for her mother, her once-solid rock.

Poetry Happens

Poetry happens

in rare moments of exotic inspiration.

It lasts for a while,

but now it is gone.